notes.husk.org/likes images.

Undercover, S01E01

At first glance this appears to be a fine example of a largely monochrome and methodical, if still crazy, crazy wall. But in context it’s a sham. Because, while this wall represents a case the protagonist has apparently been obsessed by for twenty years, she hasn’t even looked for several of the most crucial people pictured. Never mind spoken to them. I suspect all those stringy connections are purely made-up, placed there to pass the time, rather than doing any real work. Which I suppose does make it a bit more crazy.